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Author:
Norah Lynne Brown

Most collectors understand and feel knowledgeable when speaking of singular original works of art — paintings, pencil drawings, pen and inks, acrylics, watercolors, etc. Here the artist has created one work of art with his own hand. The surface might be paper or canvas or even masonite.

A bit more complicated are Multiple Originals...commonly called Original Prints. Traditionally, the artist creates a master image for the purpose of making a small number of prints that he will sign and number. The master image might be created upon a block, stone, plate or screen — any of which assists in conveying the image to the print surface. Use the link below to see our chart detailing the differences in woodcuts, etchings, lithographs and serigraphs or silkscreens.

The blocks, plates, stones and screens cannot be considered originals. They are just vehicles to produce Original Prints.

Next there are Reproductive Prints. The artist has produced an original work...and photograph technology and automated printing equipment create reproductions. Fine art print reproductions are usually signed and numbered in limited editions and care must be exercised so they remain in mint condition in order to preserve their value. Use the link below to see our diagram for details.

A similar, but much advanced process, creates giclées — the state of the art prints now taking the art collecting world to a whole new level.

Gallery One's 18,000 square foot showroom, custom framing facility and corporate offices are located in Mentor, Ohio. The gallery showcases more than 30,000 limited-edition prints, original paintings, sculpture, books, collector plates and porcelain figurines. Established in 1974, Gallery One is America's Largest Art Source. Representing more than a thousand nationally known artists and art publishers, Gallery One offers an unequaled selection of the artwork collectors and interior designers are looking for - and more!

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A Quick Note From The Publisher... If you like the article above, you may be interested in the following article which is also related to Art... Art Myths Debunked Assumption: Art becomes more valuable once an artist dies. Actuality: Prices escalate only when demand is greater than supply. Prices can increase if there was a shortage of the artist's work prior to his or her death and if the demand continues to be significantly greater than supply. Art News (November 2003) presented an article on the ten most wanted artworks. These would sell individually for more than $5 Million IF the present owners would let me them go. However, as the collectors know they could not acquire a replacement painting/sculpture/drawing, they won't be selling these artworks. Assumption: An artist's proof is more valuable than a print from the regular edition. Actuality: Artist's proofs are routinely consistent with the regular edition in appearance and value. On rare occasions, a color trial proof be judged to be more valuable than the regular edition or an artist's proof. this happens when the reigning experts determine the color trial proof represents a more handsome product than the regular edition or artist's proof. Assumption: It's just a print. Actuality: Some artist's do or do not choose to paint. Their art "translates" more successfully using an original print medium such as lithography, etching, serigraphy, or woodcuts. Some original prints have sold for more than $100,000 when done by prominent artists. The only time an art professional might utter "It's just a print" is when they are referencing a reproductive print. This is usually a photographic rendition of an existing artwork, in other words, a photomechanical copy. Why can't you value my art from photographs? * Liability * As long as I am a professional art appraiser, I am held to a different standard than someone...